Showing posts with label Animation. Show all posts
Showing posts with label Animation. Show all posts

Tuesday, January 20, 2004

”…they’re an elemental force, a gigantic catastrophe…an act of God…”

Day 19 of “Twenty Days Well-Calculated to Keep You in Suspense.”

Present Tense

A condemned axe murderer (Vincent Price) who is being transported to the death house seizes an opportunity to escape his fate as a result of a train wreck. He returns home, and finds that the individual whose murder he’s been convicted of—his wife (Ellen Morgan)—is alive and well and carrying on with her lover (Joe de Santis). He kills them both, and in doing so finds himself on the same train…only to escape, and kill again…is he trapped in some sort of time warp?

“Present Tense,” broadcast on Suspense March 3, 1957, brings Vincent Price back to a role that he had previously essayed on Escape January 31, 1950. (The script’s author, James Poe, also adapted “Three Skeleton Key,” which Price performed on the same series March 17, 1950.) It’s an interesting story, even a bit humorous, since Price gets to “ham” it up as only he can, but the ending’s a bit predictable, particularly if you’re familiar with Ambrose Bierce’s classic “An Occurrence at Owl Creek Bridge” (which was also performed on both Escape and Suspense).

The supporting cast of “Present Tense” includes two interesting radio veterans: Jack Kruschen, a well-known character actor who gave memorable performances in films like The Apartment (1960; he was nominated for Best Supporting Actor in that year’s Oscar race) and Cape Fear (1962). Kruschen made the rounds on many of the shows of Radio’s Golden Age, particularly Dragnet and Gunsmoke, and even had a regular gig on Broadway’s My Beat (1949-54) as Sergeant Muggavan. Talented voice man Daws Butler also appears here in two separate roles; he played frequent bit parts on Suspense but is probably best remembered as the voice of many of the cartoon characters in the Hanna-Barbera stable (Yogi Bear, Huckleberry Hound, Quick Draw McGraw, etc.), proving he was just as versatile as his colleagues Paul Frees and June Foray when it came to dramatic parts.

By the time of this broadcast, Gunsmoke announcer George Walsh (“They satisfy…the most…”) was doing double duty on this program as well—he had a memorable bassy, foreboding quality to his intonation of “…and nowwwwww…another tale well-calculated to keep you in…” When the production of Suspense moved from Hollywood to New York (beginning August 30, 1959), Walsh could still be heard during the show’s opening and commercial breaks, but the episode title and cast fell to Stuart Metz, who took over full announcing chores on June 25, 1961 until the series left the air.

Leiningen vs. the Ants

An army of flesh-eating ants are working their way across the jungle, threatening to invade and devour the plantation of wealthy owner Leiningen (William Conrad). Leiningen has other ideas—but can he really hope to defeat millions and millions of hungry Army ants?

Considered by many to be radio’s ultimate adventure tale, “Leiningen vs. the Ants” was adapted for this August 25, 1957 Suspense broadcast by writer Robert Ryf from the short story of the same name by Carl Stephenson. (It would be again showcased on Suspense a second time—sans Conrad—on November 29, 1959.) I remember an assignment in a high school English class whereupon we had to do a verbal report on a short story, taking care not to reveal the ending in the hopes that our fellow classmates’ interest would be piqued as to read these tales in their copious free time. (I can’t recall which story I did my report on, but a friend of mine chose Stephenson’s classic tale, and I felt a teensy bit smug since I knew its outcome, having listened to it on Escape. I’d like to say that my classmates, envious of my knowledge and power, demanded that I reveal the ending—but in order for me to do so I would have to provide irrefutable evidence that they cared.)

Like the previously mentioned “Three Skeleton Key,” “Leiningen vs. the Ants” is a story I associate with Escape, so I must reiterate that it’s a bit like cheating, including it in this box set. I will say, however, that Conrad’s performance in this broadcast is especially good, in fact, he played the title role on three different occasions (in an adaptation by writer Les Crutchfield) on the series “designed to free you from the four walls of today.” Conrad was unfortunately overlooked when the story hit the silver screen in 1954 as The Naked Jungle (he played the Commissioner—a part performed by Ben Wright in this 8/25/57 broadcast); the lead role ended up going to Charlton Heston (“Get your feelers off of me, you damn dirty ant!”). “Leiningen vs. the Ants” was also “borrowed” for a plot line in an episode of MacGyver (“Trumbo’s World,” 11/10/85), but my advice to you is to stick with the radio version. You’ll thank me later.

Sunday, January 18, 2004

”…each in his orbit of loneliness…”

Day 17 of “Twenty Days Well-Calculated to Keep You in Suspense.”

Kaleidoscope

Their spaceship blown to pieces, six surviving crew members—Hollis (William Conrad), Applegate (Stacy Harris), Stone (Parley Baer), Laspaire (Howard McNear), Stimson (Sam Edwards), and the ship’s captain (John Dehner)—are set helplessly adrift in space. The men communicate with one another via the headsets in their spacesuits in order to maintain their sanity in the face of their impending deaths.

Ray Bradbury’s classic 1949 science-fiction tale “Kaleidoscope” was adapted by Suspense director-producer Antony Ellis and presented on the program July 12, 1955. This wonderfully moving story is a testament to the talent and genius of the celebrated Bradbury, and in addition, provides irrefutable evidence of the power of the aural medium. To achieve the stunning effect of being stranded in space, the six actors performed in individual isolation booths—and special sound patterns were also developed to convey the illusion of flying debris and open space.

Conrad receives top-billing in the opening credits, and he’s joined on this broadcast by his fellow Gunsmoke co-stars Baer and McNear. In fact, all four members of the celebrated western’s acting ensemble are present and accounted for—Georgia Ellis has a small role at the episode’s poignant conclusion (with the part of her son being played by, coincidentally, her real-life son Jonathan). Dehner and Edwards were also part of Gunsmoke’s stock company, though Dehner later achieved stardom on Frontier Gentleman and Have Gun, Will Travel and Edwards was best known as boyfriend Dexter Franklin on the situation comedy Meet Corliss Archer. Harris was a regular on both the radio and TV Dragnet, and also starred as agent Jim Taylor on This is Your F.B.I. (1945-53).

The Cave

Young Dan Embry (Dick Beals) receives a flashlight for Christmas, prompting him and his friend George (Billy Chapin) to explore a nearby cave. To their surprise and delight, their venture in spelunking reveals a strange, magical world complete with pirates, buried treasure—and a damsel in distress in the form of a princess (Ellen Morgan) in desperate need of being rescued.

Director-producer Ellis revived his earlier December 24, 1950 Escape script—an unusual Christmas fantasy tale—for the December 20, 1955 broadcast of Suspense. It’s very entertaining, perfect for both children and adults, and features a hardy crew of radio veterans—Hans Conried, Ben Wright, Larry Dobkin, and Raymond Lawrence—as the bloodthirsty pirates, with the always reliable John Dehner providing the narration as the adult Dan. Conried, who provided the voice of Captain Hook in the 1953 Walt Disney classic Peter Pan, seems to be having the time of his life, helping himself to seconds and thirds of scenery du jour as the pirate Blackton.

Dick Beals’ high-pitched voice made him the ideal choice for children’s roles—he began his professional radio career in Detroit working on the programs that comprised the George W. Trendle/WXYZ triumvirate: The Lone Ranger, The Green Hornet, and Challenge of the Yukon. He moved to Hollywood in 1952 and secured work with CBS, with appearances on Escape and Gunsmoke. Beals’ most memorable turn on Suspense was a February 1, 1959 episode entitled “Return to Dust,” in which his unique vocal talents were employed to simulate that of a scientist who gets smaller and smaller after an experiment (in shrinking cancer cells) goes horribly awry.

Sunday, December 28, 2003

“Ho-ly cow!”

I’ll come clean; I’m a sucker for those old television sitcoms from the 1950s. Yes, I know that there is absolutely no resemblance between these shows and real-life families (although if you’ve ever been curious to see an authentic reproduction of Ozzie and Harriet you should drop in and meet my parents sometime) but that’s all part of the fun of watching. I can’t help but giggle at the rainbow-colored idealism of programs like The Donna Reed Show or Leave It to Beaver. (My friend Jeff states unequivocally that Leave It to Beaver is the best situation comedy in the history of television, and has written several non-published pieces on the subversive subtext of selected episodes. I keep prodding him about getting them published.)

One of the best-known examples of the wholesome white-bread, WASP-family sitcom is Father Knows Best. When I was young, I hated this show with the intensity of a thousand white-hot suns. I hated Robert Young and his wise, all-knowing patriarchal role of Jim Anderson, whose dispensed advice as freely as Young’s other famous TV character, Dr. Marcus Welby, dispensed prescriptions. I hated his perfect wife, Margaret (Jane Wyatt) and his all-too perfect children: Betty (Elinor Donahue), Bud (Billy Gray), and Kathy (Lauren Chapin). I hated their perfect little house on their perfect little street in their perfect little town (Springfield).

Then I was introduced to the radio version of Father Knows Best, which ran on NBC Radio beginning August 25, 1949 and ending April 25, 1954. If you’ve ever had the opportunity to listen to this series, I think you’ll get a chuckle out of it because—at least to me—it presents the all-too perfect Andersons in a slightly dysfunctional light.

The late Robert Young was a popular film actor who generally played nice, genial leading man roles—I never really cared for him since he was a little on the bland side. But he did turn in some interesting performances, particularly in films that showcased his darker side like The Mortal Storm (1940) (he plays a Hitler-Youth Nazi in that one!) and They Won’t Believe Me (1947). Young was also no stranger to radio; appearing on such series as The Frank Morgan Show (aka Maxwell House Coffee Time), Good News, and Passport for Adams (a 1943 wartime series in which he was the star). Both Good News and the Morgan show were sponsored by Maxwell House/General Foods; the company would also pay the bills for Father Knows Best—I’ve often wondered how the Sanka people felt about this when Young did a popular series of commercials for them in the 1970s.

The December 20, 1948 audition program for Father Knows Best, which is in circulation among OTR collectors, is an interesting, embryonic look at what would later become one of TV’s beloved family shows. The last name of the Anderson clan is Henderson in this early show, and Young’s father comes across as a bit of a numbskull--only slightly smarter than, say, Ozzie Nelson. It’s also interesting to note that Young’s patriarch comes across as a man who has a bit of a short fuse; you sometimes expect him to take a tip from The Stepfather and do away with the entire family when no one’s looking. The Anderson kids are also not the role models of the TV series; Betty is a bit on the spoiled and shallow side, and Kathy is pretty much an obnoxious brat. It has been speculated that the series in its early incarnation seemed to play out as if there were a question mark after the title.

But by 1953, the program found its niche and became fairly close to the classic TV show remembered by fans today. I listened to a broadcast from December 31, 1953 last night—which is particularly fitting, since the New Year is almost upon us. The Anderson clan are engaged in New Year’s preparations, particularly Jim and Margaret, who are getting the opportunity to ring in 1954 at a neighbor’s party since the children have plans to go elsewhere:

JIM: Hey, where’s the new black bowtie I bought to wear tonight?
BETTY (from the hall): Mother…!!!
JIM: I put it right here on the bed!
BETTY (entering the bedroom): Mother, I snagged these stockings…do you have an extra pair of real sheer dark ones?
MARGARET: Look in my top drawer…I think there’s one pair in there…
BETTY: Those are the ones I snagged…
MARGARET: Oh…well, did you look in the…
BETTY (interrupting): There’s none there either…
MARGARET: Well, maybe you can…
BETTY (interrupting again): That won’t work either…the only solution I can see, Mother, is for us to exchange stockings…
MARGARET: I should wear the snagged ones…???
BETTY: Well, after all, Mother…it doesn’t matter so much how you’re…uh…well, I mean…when a person gets to be…well, in a crowd of elderly married people who looks at anyone’s legs?
MARGARET: Well, there’s your father…and Mr. Davis…and Mr. Phillips, Mr. Liggett, Mr. Stevens…and Mr. Stewart…
JIM: Betty, have you seen an elderly black bow tie anywhere?
BETTY: Father, I’ve got problems of my own…
JIM: Oh, I’m sorry…
BUD (from the hall) Mom…???
MARGARET: Betty…I may be caught up in the Stanley Steamer crowd, but I plan to wear these stockings tonight even though…
BETTY (as she exits the bedroom): Oh wait—I think I might have another pair in my room…
BUD (still in the hall) Mom…!!!
JIM: I can’t imagine where that tie went to…
BUD (entering the bedroom): Mom, where’s that checked flannel shirt of mine?
MARGARET: Bud…you can’t wear that to a party…
BUD: It hasn’t got any holes in it…
MARGARET: I know that…
BUD: …and it’s clean…
MARGARET: Bud, I want you to dress up…
BUD: Why? All that’s gonna be there is just some fellas…and some girls…
JIM: Nobody but people, huh?

(snip)

JIM: Bud, wear your good shoes and stop badgering your mother…
BUD: Well…okay…if you want your boy to be a wallflower…
JIM: Wait a minute, Wallflower…do you know where my new…
BUD (exiting the bedroom): No!
JIM: I didn’t think so…now what do you suppose happened to that tie? Margaret, are you sure you didn’t pick it up?
MARGARET: I haven’t even seen the tie, Jim…
JIM: It was right here on the bed…
KATHY (from the hall): Mommy!
JIM: …now what could have happened to it?
KATHY (entering the bedroom): Mommy, how do I look in my new black hair ribbon?
MARGARET: Does that answer your question, Jim?

Though the role of Margaret Anderson was essayed by June Whitley in the early run of the radio series, by the time of this broadcast actress Jean VanderPyl had taken over the part. VanderPyl is perhaps best-known to today’s audiences as the voice of Wilma Flintstone on the prime-time animated cartoon series The Flintstones (1960-66), though her radio résumé included shows like The Halls of Ivy and Joan Davis Time.

The New Year’s preparations hit a snag when the friend that Kathy (Helen Strohm) had planned to spend the night with is taken ill (the girl apparently became sick after eating mistletoe), which necessitates the hiring of a baby sitter. The regular sitters used by Jim and Margaret are already booked up, but one of them sends her nephew Freddie Zollers (Gil Stratton, Jr.) in her place—Freddie is a handsome college student who immediately catches the eye of fickle little minx Betty (Rhoda Williams):

BUD: Hey, who’s he?
BETTY: Shhh…!!!
BUD: Who’s Freddie?
BETTY: That’s Kathy’s sitter…
BUD: Sitter? Howlin’ cats, Dad—get a load of that sitter…
BETTY: Who’s on the phone, Ralph?
JIM: Yes—did you say the sitter’s a he?
BUD: Take a peek in the dining room…
BETTY (taking the receiver) Hello? Oh yes, Ralph…well, no…I’m not ready yet…Ralph, I’m afraid I’m not going to make it…
BUD: See him, Dad?
JIM: Yeah…
BETTY: Well, Ralph, I have a simply, utterly crushing headache and I just don’t think I can go to the party tonight…
JIM: Now, wait a minute, Betty…
BETTY: Oh, I’m awfully sorry, Ralph…I just wouldn’t be any fun at all tonight…
JIM: Now listen here, Betty…
BETTY: Well, I’m sorry too, Ralph…but this came up awfully sudden…
JIM: It certainly did…
BETTY: Well, thank you, Ralph, I will…goodbye…
(SFX: phone hang-up)
JIM: Betty, I’m ashamed of you…
BETTY: But why, Father? You wouldn’t want me to go out with a crushing headache, would you?
JIM: No…no, of course not…in fact, now that I think of it…I’m glad you did that…
BETTY: You are?
JIM: Certainly! Now that you’re going to be home we won’t need the sitter…

You gotta get up pretty early in the morning to pull a fast one on Father Anderson, that's for sure. For the rest of the episode, as they say in Sitcomland, the wacky complications ensue—and by the show’s end, all of the Andersons (and Freddie) end up spending New Year’s Eve together at home.

Like many well-known film stars, Robert Young learned that a weekly radio series could prove to be quite lucrative, but Father Knows Best didn’t necessarily tie the actor down. While Young was on tour appearing in a play, his co-stars often joined him in each city to do their regular broadcast. Father Knows Best was one of the more successful radio shows to transplant to television, making its debut on October 3, 1954 and running on all three major networks (CBS, NBC and ABC) until 1963.

Friday, December 19, 2003

Christmas with Verna

Continuing with the sounds of the Christmas season, I listened to another holiday-themed broadcast of The Red Skelton Program last night, as originally heard over NBC Radio on December 25, 1945. My favorite Skelton shows are those broadcast between 1945-50, and the topicality of joking about food shortages is prevalent in this Christmas gift exchange between Red and announcer Rod O’Connor:

ROD: Well, speaking of gifts—here’s mine to you…uh, did anyone give you an electric toaster?
RED: Well, not that I know of…
ROD: Well, in case they do…this will come in handy…
RED: Gee…a loaf of bread! Gosh, you shouldn’t have done it, really…
ROD: Red…in the middle of the loaf…you’ll find three slices buttered…
RED: No kiddin’? Why did you say it—how will I get it home now? My life won’t be worth a nickel…well, here’s my gift to you…
ROD: Aw gee, Red…that’s swell…and it’s so beautifully wrapped, too…
RED: Yeah, in case you missed the news yesterday, that newspaper will come in handy…

The show’s vocalist, Anita Ellis, sings a nice version of “Toyland” and then we are treated to an early version of the Clem Kadiddlehopper Christmas-tree-salesman sketch that I commented on in an earlier post. Here, Clem’s girlfriend is played by actress GeGe Pearson:

SARAH DEW: Oh, howdy, Clem!
CLEM: Well, Sarah Dew! Howdy doody to you, too! Gee, you look like a million dollars tonight…
SARAH: Well, have you ever seen a million dollars, Clem?
CLEM: Nope…that’s what I mean…you look like somethin’ I ain’t never seen (to audience) She didn’t get, it’s too fast for her…

(snip)

CLEM: Say, what did Santy Claus…uh…gonna bring ya, did you tell him what you wanted yet? I did…
SARAH: Oh, Clem…aren’t ya just a little too big fer Santa Claus? You are an adult…
CLEM: Now, just a minute! Let’s not spread that around…it may mean what I think it does…
SARAH: Well, what did you ask fer?
CLEM: Page 30 of Esquire in person! Boy, oh boy! Finest picture of a bird dog I ever seen…beautiful girls, too…
SARAH: Oh, Clem…don’t talk like an idiot…you know them girls there…them there models are jest a dime a dozen…
CLEM: A dime a dozen? For them models? Gee, and I’ve been buying licorice all this time…

Then Rod O’Connor arrives on the scene, and the skit continues in the vein of the December 19, 1951 show—concrete proof that the concept of recycling was nothing new to both comedians and their writers.

When Skelton returned to the airwaves on December 4, 1945 after his hitch in the military, his program featured a mostly brand-new cast, including veteran radio actress Verna Felton. Felton kept quite busy during the Golden Age of Radio, appearing on the Abbott & Costello, Joan Davis, Judy Canova, and Rudy Vallee shows. She was also a regular on such radio sitcoms as Point Sublime, Meet Mr. McNutley, and My Little Margie (she played neighbor Mrs. Odetts on the radio version, the TV version starred Gertrude Hoffman). Prior to her work on the Skelton show, her most famous radio role as that of Dennis Day’s mother on The Jack Benny Program. She was prominently featured in that part when the tenor made his first appearances in 1939; Mrs. Day was a feisty old battleaxe who would constantly berate Benny for exploiting her son. When Jack would protest to the contrary (although there was a small kernel of truth to her accusations as Dennis was contractually obligated to mow Benny’s lawn every week) she would usually cut him off with an “Ehhhhhhhhhhhhh—shut up!”

Verna proved to be the perfect foil for Red’s “mean widdle kid” character, playing Grandma (or “Namaw,” as Junior called her) to his memorable little demon-on-wheels. In this December 25, 1945 show, she’s taken him to a department store to visit Santa Claus:

NAMAW: Goodness, this store is really crowded…
JUNIOR: Ain’t it crowded though? And what an inspiration…boy, what a spot to yell “fire” in…
NAMAW: Junior! You wouldn’t do anything naughty like that now, would you? (laughing) You’re kidding me…
JUNIOR (laughing with her): Yeah, you just keep laughing, kiddo, that’s all…you take these handcuffs off me, I’ll show ya, boy…
NAMAW: Junior, now stay with Grandma…
JUNIOR: Yes, ma’am…I won’t run away because if I got lost you would worry…
NAMAW: Yes I would, Junior…I’d be afraid I might find you again…
JUNIOR: Boy…you sure does love me, don’t ya, huh…
NAMAW: I can’t figure out why you’re so good all of a sudden…
JUNIOR: It’s the night before Christmas and all through the house…nothing is stirring, not even this louse….
NAMAW: Now, now…this good behavior just before Christmas won’t get you anywhere…
JUNIOR: Well, what has I done wrong this year?
NAMAW: I’ll tell you…
JUNIOR: No, no…never mind, never mind…I know, you know…but let’s keep it away from Santa Claus, huh? He’s not interested in these domestic problems…besides, why make him change his list at this late date, you know?

Felton also played a funny role in some of Red’s later CBS programs—a cantankerous next-door neighbor named Mrs. Fussy. But she wasn’t just constricted to radio—she had a busy career in films, with roles in The Gunfighter (1950), Don’t Bother to Knock (1952), and Picnic (1955). (In an interesting bit of casting, she also plays the part of Junior’s mother in Red Skelton’s 1948 screen comedy The Fuller Brush Man—in which his salesman character runs into the “mean widdle kid” from the radio show.) Add to this a recurring role as Hilda Crocker on the TV sitcom December Bride (she was sidekick to Spring Byington’s Lily Ruskin) and much voice work in Disney films (Cinderella, Alice in Wonderland, Sleeping Beauty) and it’s no surprise that she is so fondly remembered by classic film and OTR fans alike.

Junior finally gets to talk to the “big man from the North Pole”; actor Arthur Q. Bryan guest stars as St. Nicholas, as Junior sits on his lap:

JUNIOR: My, look at that nice, long beard you has…it’s so soft it looks like five o’clock shadow with snow in it, don’t it? Boy, if I only had a pair of scissors (laughs) I kiddin’, I kiddin’…I wouldn’t touch it…
SANTA: And what would you like more than anything else?
JUNIOR: Well…a pair of scissors, I guess…
SANTA (laughing) Let’s talk about you…have you been a good boy?
JUNIOR: No, let’s talk about you, huh…you is really a nice old man, you know…I’ve been a pretty good boy…
SANTA: You wouldn’t be trying to flatter me, would you?
JUNIOR: You a trusting old soul, ain’t ya?
SANTA: Have you been a good boy?
JUNIOR: Well…for the past week…I will admit I has been pretty good but it makes me sick to think about it, you know…
SANTA: What about the other 358 days?
JUNIOR: Well…I ain’t been idle, you know…

Blending smiles with pathos, Skelton’s Junior asks Santa Claus only for a Christmas tree—and several other unselfish things, like the elimination of prejudice and war, and a hope that things will be easier in postwar times. I have to say, this particular broadcast was even better than the previous one I listened to—with some solid laughs and lovely holiday music throughout.

Friday, November 28, 2003

"Fred C. Dobbs don't say nothin' he don't mean..."

If I may be allowed to stray off the path of old-time radio for just a second, I received my 2-DVD copy of The Treasure of the Sierra Madre in the mail today.

I've really been impressed with some of the films that Warner Video has been releasing to DVD as of late, because they've been doing a bang-up job with the packaging. This DVD set showcases Sierra Madre in sort of "A Night at the Movies" format -- you start off with a theatrical trailer (in this case, Bogart's Key Largo), a newsreel, a comedy short (the delightful So You Want to Be a Detective starring George Hanlon as Joe McDoakes), a cartoon (Bugs Bunny in Hot Cross Bunny), and then the main feature. I have been preaching for years (and can provide affidavits—from friends and fellow classic movie buffs who are sick and tired of hearing me bitching about it—to back me up) that this sort of thing can and should be presented on DVD; I'm just glad that Warner Video has gotten on the stick.

Also included with the DVDs are a documentary on John Huston, Sierra Madre's director (narrated by Robert Mitchum), a documentary on the making of the film, a trailer gallery of other Bogart films, a classic cartoon (one of my favorite Bugs) 8 Ball Bunny, photos, storyboards, and publicity materials galleries. The pizza de resistance for OTR fans is that the discs include the Lux Radio Theatre broadcast from April 18, 1949 of Sierra Madre with Bogart and Walter Huston recreating their screen roles.

May I also just take a few moments to say "Yowsah!"