Showing posts with label Film noir. Show all posts
Showing posts with label Film noir. Show all posts

Monday, April 10, 2006

“Down these dark streets…”

Jaime Weinman at Something Old, Nothing New pointed me towards an interesting article by Jonathan Rosenbaum at DVDBeaver.com entitled “Ten Overlooked Noirs.”  Jonathan lists each noir by category, noting a film that’s readily available on disc and one that is not.

It’s a very good read, and I love some of his choices for noirs that should be on DVD but aren’t: Ace in the Hole (1951), for example.  This underrated classic—directed by the one-and-only Billy Wilder—stars Kirk Douglas in one of his preeminent rat-bastard roles; that of an unscrupulous newspaperman who uses a man trapped in a cave-in to crawl his way back to the top of the print journalism game.  This corrosive film—dubbed by Paramount wags as “Ass in the Wringer”—was remarkably prescient in its examination of today’s media, and of course, it co-stars TDOY fave Jan Sterling as the man’s wife who has one of filmdom’s most memorably cynical retorts: “I don’t pray.  Kneeling bags my nylons.”  Someone mentioned a while back that they were finally going to release Hole—also known as The Big Carnival, its re-release title—on DVD but unfortunately that version is a documentary about the capture of Saddam Hussein.

Other “SBA’s” (should be available) noted by Rosenbaum include While the City Sleeps (1956), Fritz Lang’s better-than-it-ought-to-be account of the hunt for a serial killer by a team of reporters who spend most of their time getting sloshed in gin joints throughout the film’s running time, and The Sound of Fury (1950, a.k.a. Try and Get Me!), a movie that features OTR veteran Frank Lovejoy’s finest hour on the silver screen as a man who stupidly allows himself to become enmeshed in the schemes of a seriously-disturbed Lloyd Bridges (this flick was based on the events dramatized in Fritz Lang’s first American offering, Fury).  Another movie mentioned oh-so-briefly by Jonathan is The Phenix City Story (1955) a little-seen Phil Karlson docu-noir based on the corrupt Alabama town of the same name.  (I’d buy all these for a dollar!)

Friday, March 26, 2004

“What do you mean ‘gangsters?’ It’s just business…”

I am a very happy camper this morning, and I am only too pleased to tell you why. I found out yesterday that Republic-Artisan is finally releasing the 1948 noir classic Force of Evil to DVD. Appointed to the National Film Registry in 1994, it’s a cracking good film that cleverly equates capitalism with gangsterism.

I have a copy of this movie on VHS—in fact, if memory serves me correct it may have been one of the first things I bought online when I finally decided to get a computer. I remember seeing the movie on Cinemax in the mid 1990s, as part of a four-film festival hosted by Martin Scorsese (the other three movies were Johnny Guitar, Pursued, and A Double Life).

What makes the release of Force of Evil such good news for me is not only because it’s one of my all-time favorite films (directed by the great Abraham Polonsky, whose career was crippled by the Hollywood blacklist), but because since both Pursued and A Double Life have already been released on DVD—and that has to mean that Johnny Guitar can’t be far behind.

I won’t swear to this, but I think Republic-Artisan owns the copyrights to several other great noirs, including Pitfall (1948) and Try and Get Me! (1950, a.k.a. The Sound of Fury). (The studio released the 1951 underrated Bogart noir The Enforcer also not too long ago, so I’m joyously optimistic.) The wonderful thing about Republic-Artisan is that they make these movies very affordable—Force of Evil has an asking price of $7.19 at Deep Discount DVD.