In the strip’s early days, it concentrated on the exploits of a dizzy
“flapper” named Blondie Boopadoop and her boyfriends—one of which was wealthy
playboy Dagwood Bumstead. The comic strip was pretty much floundering until
Young decided to have the two fall in love. Dagwood was determined to marry
Blondie, despite the protests from his father, railroad magnate J. Bolling
Bumstead—so Dag went on a hunger strike (that might explain his fondness for
the “Dagwood sandwiches” all these years) until his father relented. But the
millionaire Bumstead cut off his son without a penny, and on February 17, 1933,
the two newlyweds faced an uncertain future, particularly at the height of the
Great Depression.
Marrying Dagwood and Blondie was the best thing that ever happened to
creator Young—his comic strip increased in popularity to the point where it
became one of the public’s favorites. The strip took on a domestic focus, with
Blondie settling into the role of responsible wife—and mother, with the birth
of their son Alexander (April 15, 1934) and daughter Cookie (April 11, 1941).
The children matured pretty much in the same way as the people in the Gasoline
Alley comic strip; that is until Young decided in the 1960s that if the
kids got any older, the flavor of the family strip would be lost.
The comic strip made its debut on the silver screen with Blondie in 1938, and
the picture was such a smash that a total of 28 B-pictures were churned out by
Columbia Studios between 1938-50. Starring in the roles of Blondie and Dagwood
were Penny Singleton—a redhead who soon became a bleached blonde—and Arthur
Lake, a vaudevillian of whom practically everyone has said was born to
be Dagwood. Shortly after the first film’s release, Lake and Singleton made
their radio debut, guest starring on The
Bob Hope Show broadcast of
December 20, 1938, which in turn, led to a Blondie series less than a year later over CBS beginning July
3, 1939 as a summer replacement for Eddie Cantor. (When Cantor failed to return
in the fall, Blondie became a
full-time series, broadcast over CBS, Blue, NBC and ABC until July 6, 1950.)
Arthur Lake would continue as Dagwood through the entire run of the
radio series (he even starred in a television version in 1957 with Pamela Britton
as Blondie), but Penny Singleton left the show in 1949, and was replaced by
several different actresses: Florence Lake (Arthur’s sister), Ann Rutherford,
Alice White and Patricia Van Cleve (Mrs. Arthur Lake in real life). Among those
who appeared as Alexander were Tommy Cook, Larry Simms (who played the part in
the Blondie films), Bobby Ellis and Jeffrey Silver. “Baby” specialist Leone
Ledoux (who also played baby brother Robespierre on The Baby Snooks Show) portrayed Alexander in his infant stage,
and did the same for sister Cookie as well. When Cookie got older, Marlene
Aames, Joan Rae and Norma Jean Nilsson all got a crack at the role.
A hardy cast of radio veterans ably supported Lake and Singleton, most
notably Hanley Stafford, who played J.C. Dithers, Dagwood’s tyrannical boss (“Bumstead!
I’ll run your little finger through the pencil sharpener!”), and Elvia
Allman, who was Mrs. (Cora) Dithers. Frank Nelson essayed the role of next-door
neighbor Herb Woodley (also played briefly by Hal Peary), and Arthur Q. Bryan
and Harry Lang played yet another neighbor, Mr. Fuddle. Others in the cast
included Dix Davis (as Alvin Fuddle), Mary Jane Croft, Veola Vonn, Lurene
Tuttle and Hans Conried.
If you’re familiar with any of the Blondie feature films; then the
radio series won’t bring anything new to the table; the program captures the
flavor of the movies extremely well, though it tends to be a little more on the
manic side. I listened to two broadcasts last night, beginning with an AFRS
show dated June 18, 1944, “Dagwood’s Icy Challenge,” in which Dagwood does a
little creative tall-tale embroidery:
DAGWOOD: Well, every spring I was always the first fellow to go swimming
in the river…
BLONDIE: Dagwood…
DAGWOOD: Hah?
BLONDIE: Is that the truth?
DAGWOOD: Oh, it’s…er…eh…um…well, not every year…
BLONDIE: I thought so…
ALEXANDER: So you weren’t the first guy every year, huh, Pop?
DAGWOOD: Well, no—remember, my first two years I wore a diaper…but I was the first one in swimming each year as soon as I was old enough to dress myself…
BLONDIE: How old were you? Twelve or fourteen?
DAGWOOD: Eh…aw, Blondie, take it easy on me…I was ten…every year, while it was still plenty cold, I’d ride out to the old mill on my bike and change clothes and climb up to the second story window and…then while my friends watched, I’d dive…hah! And crack, splash!—and Bumstead had done it again…
ALEXANDER: Crack splash, huh?
DAGWOOD: Yeah…
ALEXANDER: I understand the splash, but—what’s the crack?
DAGWOOD: Well, that’s just my head going through the ice…hah hah hah hah hah…
BLONDIE: Now, Dagwood—did you really go in when there was ice in the river?
DAGWOOD: Yep! Even if I had to bring my own ice…hah hah hah hah hah…
BLONDIE: Dagwood…
DAGWOOD: Hah?
BLONDIE: Is that the truth?
DAGWOOD: Oh, it’s…er…eh…um…well, not every year…
BLONDIE: I thought so…
ALEXANDER: So you weren’t the first guy every year, huh, Pop?
DAGWOOD: Well, no—remember, my first two years I wore a diaper…but I was the first one in swimming each year as soon as I was old enough to dress myself…
BLONDIE: How old were you? Twelve or fourteen?
DAGWOOD: Eh…aw, Blondie, take it easy on me…I was ten…every year, while it was still plenty cold, I’d ride out to the old mill on my bike and change clothes and climb up to the second story window and…then while my friends watched, I’d dive…hah! And crack, splash!—and Bumstead had done it again…
ALEXANDER: Crack splash, huh?
DAGWOOD: Yeah…
ALEXANDER: I understand the splash, but—what’s the crack?
DAGWOOD: Well, that’s just my head going through the ice…hah hah hah hah hah…
BLONDIE: Now, Dagwood—did you really go in when there was ice in the river?
DAGWOOD: Yep! Even if I had to bring my own ice…hah hah hah hah hah…
Alexander brags to a local reporter (Frank Nelson) about his father’s
“feat,” who in turn writes it up as a human interest story in the paper—the
crux of which has the paper challenging Dagwood to repeat it this year, which
Dagwood’s boss has already accepted on his behalf. Dagwood tries to back out of
it, but the story has become an event and he even allows Dithers to goad him
into it. Needless to say, the episode ends in typically wacky sitcom
fashion—though if that AFRS date is correct, I can’t quite fathom what river
would have ice on it in June. (Perhaps their famed residence of “Shady Lane
Avenue” is located somewhere around the Arctic Circle.)
In the second broadcast, originally heard over NBC February 9, 1949,
Alexander finds himself on the horns of a dilemma over which one of his
girlfriends deserve a Valentine’s Day card. Dagwood asks his boss for advice (I
was amused when Dithers remarks that he wants to help out “the little Bumlet”),
but of course, it’s Blondie to the rescue when she suggests that Alexander give
every girl in his class a card. I enjoyed this one more than the first, due to
its network origination—including commercials from sponsor Super Suds, with its
“magic ingredient” Pyray (sic). (I’m not exactly sure what that does, but then
again, I haven’t even figured out Rinso’s “Solium” yet, either.)
I have a handful of Blondie shows in my collection—mostly for
the novelty value since it’s pretty much average sitcom material—and extant
broadcasts of the series are scarcer than hen’s teeth, though the Library of
Congress apparently has quite a few broadcasts
from the 1948-49 NBC season. Still, they remain amusing time capsules of those
wonderful years of the Golden Age of Radio, which has sadly passed us by.
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