Wednesday, April 28, 2004

“We love the halls of Ivy…that surround us here today…”


Just as it’s hard to believe that Our Miss Brooks was created without Eve Arden originally in mind, it is equally difficult to fathom that Ronald and Benita Colman were not the first performers considered when Don Quinn originated The Halls of Ivy. Veteran character actor Gale Gordon and actress Edna Best were originally cast as Dr. and Mrs. William Todhunter Hall, a college president and his wife who presided over Ivy College in a small middle America town with the same name.

In an audition record dated June 22, 1949, both Gordon and Best do a pretty good job in their roles, but NBC was reluctant to commit to Gordon, seeing as how he was already doing similar school work on Brooks. The director of Ivy, Nat Wolff, then hit upon the novel idea to offer the part to his friend Ronald Colman. Both Colman and his wife, Benita Hume Colman, had demonstrated an extraordinary talent for dry comedy with their guest appearances on The Jack Benny Program—and beginning January 6, 1950 over NBC Radio for Schlitz Beer (beer and college—a perfect ad match, wouldn’t you say) the Colmans breathed life into one of radio’s best and most memorable sitcoms.

Colman’s portrayal of Hall is one of the reasons I became a fan of his; the character he plays, an erudite individual who manages to avoid coming across as a staid, stuffy, professorial caricature, is a fully three-dimensional personage, never stooping to your typical cardboard stereotype. (Hall reminds me of a similar part Colman played in the movies—that of Professor Michael “Mike” Lightcap in The Talk of the Town (1942), after he’s been "humanized" by Nora Shelley, played by the always delightful Jean Arthur.) Hall’s commitment to both the college and students is truly inspiring. But the real revelation on this series is Benita Colman, whose character of Hall’s wife—the former Victoria Cromwell, English music hall entertainer—is an absolute treasure; her vivacious, effervescent personality and lilting, infectious laugh endeared her to many a radio listener (consider me guilty of falling under her spell as well, especially when she calls her fictional husband “Toddy-dear.”).

Joining Ronnie and Benita on The Halls of Ivy was a supporting cast of first-rate radio veterans, beginning with Herb Butterfield as Clarence Wellman, Hall’s nemesis on the Board of Regents, and Willard Waterman (The Great Gildersleeve), who as John Merriweather was frequently Hall’s lone voice of support. Elizabeth Patterson and Gloria Gordon were both heard as Penny, the Hall's maid. In the two episodes that I listened to while at work last night, I was delighted to hear from such talents as Gil Stratton, Jr., Frank Martin, Jane Morgan, Herb Vigran, Janet Scott, Jack Kruschen (who was sensational as a college-educated cop) and Jerry Hausner.

As mentioned before, writer Don Quinn created The Halls of Ivy, and Quinn’s name crops up quite frequently when discussing old-time radio since he was the mastermind behind one of OTR’s classic comedies, Fibber McGee & Molly. Ivy was a definite change of pace for the veteran scribe, although you can definitely detect his signature wordplay in many of its scripts. (In one episode, Vicky mentions that a local diner, the Dew Drop Inn, is referred to by the students who have eaten there as “the Dew Drop Dead.”) But Quinn’s forte was jokes; he was aware of his limitations in developing plots and situations, and so writers like Walter Brown Newman, Jerome Lawrence & Robert Lee, and Milton & Barbara Merlin were around to ably assist him in the writing. Their contributions brought some wonderfully poignant overtones to the scripts—the character of Dr. Hall often found himself nostalgically flashing back to the early days of his and Vicky’s courtship and eventual marriage.

A broadcast from April 7, 1950 is a good example of the top quality that is The Halls of Ivy, as Dr. Hall approaches the missus with an announcement:

TODDY: Victoria…it’s much too beautiful a day for work…let’s play hooky…
VICKY: Hooky? On a school day?
TODDY: Of course! Can’t very well be played on a day of rest…to play hooky at all, one must have something to play it from…I mean to say, those are the ground rules…
VICKY: Yes, but would it be cricket?
TODDY: Oh, no, no…it’s nothing like cricket…if anything, it resembles dirty pinochle…but actually, it’s hooky…
VICKY (laughs): Well, it’s a lovely idea…and beautifully expressed…but you can’t…you’ve got a meeting scheduled for two o’clock this afternoon with all your department heads…Quincannon, Haislip, Gearhart…
TODDY: No, I refuse to consider it…I won’t spend a moment of this day cooped up indoors…not one sun-swept, dazzling moment…how could you even suggest such a course of action? To a man known in his youth as “Gypsy” Hall…
VICKY (laughs): I was only reminding you…
TODDY: I’ll get out of it…I’ll phone Quincannon…I’ll tell him I have a cold…
VICKY: Toddy, you’re not going to tell him a thumping lie…?
TODDY: Bad form, eh?
VICKY: Very bad form…
TODDY: Wouldn’t be…ethical?
VICKY: Far from it…
TODDY: All right, then I’ll have Penny do it… (calls) Penny!

Hall manages to deceive Quincannon (Frank Martin) into thinking he’s under the weather, but his and Vicky’s plans for a picnic outing soon go astray:

(SFX: door opens, then slams quickly)
TODDY: Oh good heavens!
VICKY: What is it?
TODDY: Quincannon…he’s in his yard, across the street…playing with the children…
VICKY: Oh, did he see you?
TODDY: No…you’d think, wouldn’t you, that a man in his position would have something better to do…he should be working!
VICKY: I’m sure he’s finished at least one class this morning…
TODDY: I wonder how long he’ll stay out there…I hate to lose a moment of this sunlight…I know!
VICKY: We’ll sneak out the back way…
TODDY: Uh…sneak is a rather shabby term, Victoria…surely we are privileged to leave our own house by the rear entrance if the whim seizes us?
VICKY (mock contrition): I beg your pardon…
TODDY: I accept your apology…now, let’s sneak out the back way…

A series of interruptions prevent the Halls from escaping the house, but when they finally are able to leave, Toddy begins to feel guilty about abandoning his sense of duty and returns to the college for the meeting—only to discover that he wasn’t the only one who thought about “playing hooky.” A second episode, from April 14, 1950, is equally entertaining and amusing, as the Halls are taking a cab en route to a dinner party:

VICKY: I do like dinner parties…I wonder what the main course will be?
TODDY: Main course? Me. There is nothing Mrs. Foster likes to serve her guests so much as a celebrity—major or minor…
VICKY (laughs): She should be very happy this evening, then…in your black tie, you’re quite a tasty dish…
TODDY (chuckles): Thank you—but not as tasty, I’m afraid, as the major celebrity she originally intended to have tonight…he disappointed her at the last moment…
VICKY: Oh? How?
TODDY: He led with his right, and was knocked out in the sixth round—and thereby ceased to be a major celebrity…ah, she forced to settle for a college president…
VICKY: Oh, poor woman…
TODDY: She is not, thank heavens, a poor woman…she’s one of the richest in town…and one of the loneliest…that’s why she fritters away so much of her wealth on trivialities…I’ve been trying for over a year to guide her interests into more constructive channels…
VICKY: Like, say, um…gymnasium constructive? Or library?
TODDY: Exactly…I have a feeling that when we leave tonight, I’ll have a nice, fat endowment check in my pocket…
VICKY: Well, I have the same feeling…Mr. Merriweather told me that you made a very great impression on her…
TODDY: Yes, I suppose I have…I mean to say, I…I have some, er, respectable degrees…and I’ve written a few good books…
VICKY: Ah, it’s your good looks that have impressed her, not your good books
TODDY: Oh, nonsense…nonsense, Victoria… (laughs) I never…never heard anything so ridiculous in my life… (laughs) good looks… (laughs) me… (laughs, then long pause) you really think so?
VICKY: Of course I do! And I’m not the only one…every coed on the campus is mad about you…
TODDY (laughs): You’re just saying that… (chuckles) Really?
(SFX: car stops)
CABBIE: This is as far as I can go…
VICKY: Driver, you took the words right out of my mouth…

The Halls are forced to walk the rest of the way (due to road construction), and on their way there they encounter a runaway dog—in the process of trying to find the mutt’s owners, they end up being late and missing the party. This one is a real gem, particularly when Benita Colman talks “baby talk” to the dog, it alone is worth the price of admission. (The plot resolution of this show is also pretty easy to figure out for students of sitcoms, but trust me, getting there is half the fun.)

Sadly, The Halls of Ivy enjoyed a relatively brief run on radio, wrapping it up on June 25, 1952. Though it also appeared for a short time on television (from October 19, 1954 to September 29, 1955), it’s a shame that such a gentle, literate comedy bowed out too soon. (I’ve only seen one episode of the TV series—“The Umbrella Man” (5/17/55)—and while it’s very entertaining, it simply can’t touch the radio version; plus, I was sort of distracted by Colman’s all-too-obvious dependency on cue cards.) Nearly ninety episodes of the series are extant today (many of them rebroadcasts from the Voice of America), and I heartily recommend this warm, underrated show to each and every old-time radio fan.

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