In fact, let me go a bit further and praise this movie as one of the
best radio-based films ever made. It’s difficult to reach a consensus on just
what makes an OTR-themed movie great or successful—a good many folks often have
harsh words for films of this type, falling back on the “it isn’t as good/it
can’t capture the essence of the radio show” gripe. Personally, I tend to be a
little lenient in this area, I think probably because of the sheer novelty and
because I’m also a sucker for a well-made B-film. For example, most of
the Lum & Abner feature films fall woefully short of what critics would
call great or even good movies—but I don’t mind; they’re short, sweet,
and endlessly entertaining.
The plot of Look Who’s Laughing—well, I’m not going to lie to
you: it’s painfully thin. Edgar & Charlie are forced to land Bergen’s plane
in Wistful Vista during a vacation trip, and naturally meet the town’s
best-known residents, Fibber & Molly McGee. The Fibster, as president of
the Chamber of Commerce, has been out beating the bushes to get an aircraft
manufacturer to build a factory in town; Edgar is very good friends with same
and so he agrees to help the community out. There are, of course, numerous
complications along the way (the movie is 78 minutes, they gotta do something)—but
finally the deal is struck and everything comes out in the wash.
In addition to the movie’s four major players, there are also
appearances by other old-time radio stars: Lucille Ball (though she’s seven
years away from her hit sitcom My
Favorite Husband) has a plum role as Julie, Edgar’s secretary and love
interest, and Harold Peary is along for the ride as famed Fibber nemesis
Throckmorton P. Gildersleeve. (Ball and Perry were later re-teamed in a 1942
musical-comedy, Seven Days’ Leave,
in which Hal once again played Gildy, and Lucy is a girl that star Victor
Mature has to marry in order to collect an inheritance—shades of the Buster
Keaton classic Seven Chances!)
This movie also includes appearances from many of the actors that
populated Fibber and Molly’s burg: Isabel Randolph, Harlow Wilcox, Bill
Thompson and Arthur Q. Bryan. Of these four, only Randolph reprises a radio
role as one of the residents of Wistful Vista, society dowager Abigail
Uppington; both Thompson and Bryan (who didn’t start playing the town’s medico,
Doc Gamble, until 1943) have uncredited bits (as a veteran and a mayor’s aide,
respectfully) and Harlow is Mr. Collins, the bank president (no Glocoat pushing
here!) Thompson would appear in 1942’s sequel Here We Go Again as
Wallace Wimple (“Hello, folks…”). Other great character actors and old-time
radio personalities include Neil (Batman)
Hamilton, Charles Halton, Jed Prouty, George Cleveland, Sara Berner, Charles
Lane and Sterling Holloway (as a soda jerk).
Though the plot of Look Who’s Laughing isn’t particularly
compelling, the comedy material provided for Edgar, Charlie and the McGees is
first-rate—Zeno Klinker and Dorothy Kingsley, two scribes from Bergen’s radio
show, keep him and his dummy supplied with plenty of laugh-getting quips, while
Fibber & Molly receive assistance from creator-writer Don Quinn and Leonard
L. Levinson (Levinson would later assume the post of head writer for Hal
Peary’s spin-off The Great
Gildersleeve). There are a couple of prized physical comedy sequences
here as well; one involves an out-of-control dishwasher and the other a wild
airplane that’s so well-done I didn’t even mind that it involves obvious
stuntmen, miniatures and process-screen work.
Look Who’s Laughing
was the second feature film showcasing the Jordans as the famous radio couple
(their debut was 1937’s This Way Please,
which also features solo work by Mrs. Jack Benny, Mary Livingstone) and the
notion of teaming them with Edgar & Charlie was a stroke of genius. The
film did well at the box-office, prompting the four stars to re-team for Here
We Go Again. An attempt at future Fibber & Molly vehicles fizzled out
with 1944’s Heavenly Days,
a bouncy wartime comedy-musical that has its moments, but can’t hold a candle
to its earlier celluloid siblings. I'd heartily recommend Look Who's
Laughing, though, and I would most enthusiastically recommend purchasing it
from Finders Keepers; their print is simply superb.
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